My dear Kacvey,

Merriam-Webster Dictionary defines “trilogy” as: “a series of three dramas or literary works or sometimes three musical compositions that are closely related and develop a single theme.”

Let use that definition as a model for a series of three dramas for your students to study in Cambodia contemporary politics that befall the weak strongman.

If the play is titled: Trilogy that Can Befall the Ex-KR Autocracy, the three “dramas” are:
1. The Sword of Damocles Has Dropped
2. The Blue Tent That Became a Permanent Wooden Structure or How New Cyclopic Chéy Chétha Drew the Map of the New Kampuchea Krom, and
3. Dara Sakor, a base or not a base?

The weak strongman is no longer in command of the three quagmires that he has built under his feet that stand on corrupt and autocratic power. It’s the European Union, the United States and China that will oversee and decide above his head on the denouement of the three saga. He is expendable and the next leader who will succeed him will have enormous difficulties to deal with his excremental leftover.  And if he thinks that his son that, to this age, still holds the pleats of his pants can handle these issues, he must then have a rotten brain.

The weak strongman acting as main thespian is now less than a puppet and more like a one marble-glass-eye-scarecrow in the middle of the emptiness of a rice field.

If the weak strongman has become cockier with Khmer in domestic issues, it is – like a prisoner in his own palatial jail decorated with insane luxury watches and protected by thousands of bodyguards against his own intestinal enemies in the corrupt people party – that the gold bars on the cell windows that keep the bodyguards active for his cause until such a time that a storm blows that scarecrow away from its pole. Even a Mi 171E helicopter won’t be able to lift him on time to an unknown safe heaven.

Like in all Greek trilogy, the end is never a happy one.